Intermediate 13 has continued its research into the potency of the void. The unit agenda is centred on the idea that emptiness can be employed to release the civic qualities of the contemporary city, challenge power structures and stimulate new forms of inhabitation. This year we have adopted elements of the scientific method of hypothesis generation and developed the notion of the urban laboratory. All experiments have been located in the Isle of Dogs, which, with its mix of investment-banking towers and low-grade social housing, is now probably the most highly charged site in London. Here, students investigated the use of the void in art and architecture and developed projects that explore the uses of emptiness not just as a compositional and spatial device but also as a means of generating political, social and psychological effects.
Phenomena such as darkness, the abyss and air are tested for new social spaces in Frederique’s apartment towers clustered around darkness, Marianna’s proposition for buildings as archipelagos in future flooded London, and Naz’s investigation of architecture as air and breathing. The relationship between void, movement, afterimage and transcendence is tested with Mahsa’s elevated city common land consisting of meadows and allotments, Nabila’s green screen film city and Elisia’s Thames pier and tower. Alternative communities are explored through foundations of time, erasure and materiality in Richard’s Slow City encircling and challenging fast-paced Canary Wharf, while Felix envisions the inhabitation of partially demolished commercial towers and Masaki refills Millwall dock with soil to create an earth civic centre for Isle of Dogs. Current office typologies are challenged by new paradigms of commerce and work in Nicole’s civic super-shed constructed from repeated generic elements and Lorenz’s Core City that takes to the extreme the unexplored potential of the voids within standard office space.
Jeroen van Ameijde
Nuria Alvarez Lombardero
Brian Hwui Zhi Cheng
Francisco Gonzalez de Canales
Juan José Sarralde Tassara
Valli Van Zijl
The Blank City of Screens
The project is interested in reducing the city to it's absolute essence - it's dimensions, and expressing them as walls. Taking the generic numbers, the walls exist as a grid, a framework, a guide, an opportunity. These dimensions form a skeleton that weaves itself into a network of streets, which interlace the city together. No detail is ever needed in the blank city of screens, its poetry lies in the opportunistic nature of its simplicity.
The Project functions as a cinema city - One which has been stripped off its details. In its occupation, its value is degraded into a mere prop, a machine, in which images of the generic are then projected onto.