Didier Faustino, Kostas Grigoriadis

In our increasingly globalised times where communications, trading and technology are characterised by an ever-expanding global outreach, there is a parallel tendency of the physical settings of large corporations and organisations to become increasingly self-contained and insular in the physical spaces they occupy. This paradox of partial autonomy has been the preoccupation of Diploma 2 throughout the year, initially setting out to analyse partly or fully self-governed territories. These studies informed and led to the design of deterritorialised autonomous blocks or enclaves constituting political societies that were to a certain extent independent from their context and maintained their own regulations, laws and customs. We travelled to Los Angeles and the Mojave Desert, along daily immigration routes, nature reserves, desert motels and congested metropolitan freeways. At these locations, we looked for places that would host and enable the independence of our proposals. This independence eventually came from locality, articulated spatial organisation, or the choice of programme. In terms of locality, Suram’s project addressed the tensions arising between two neighbouring ethnic communities on either side of a freeway by placing a controlled trading zone at their boundary. 

In Dimitri’s project the international waters beyond the US coast provided an aqueous landscape where immigration laws could be bypassed, allowing for the creation of an autonomous IT campus. In terms of programme, Yijun proposed small-scale movie studios dispersed at various freeway intersections where through a public-private partnership scheme LA would directly construct its own fictions. In Teeba’s case a typical Californian motel would conceal hidden spaces accessed by clandestine groups operating in the larger metropolitan area, while Yiran attempted to alleviate the transition from incarceration to civil integration through a strategically placed long-stay visitor scheme at the edge of San Quentin prison. Olivia’s proposal investigated the diplomatic law that provides immunity within the premises of a consulate building – ultimately concealing the existence of a refugee camp. Natalia rethought the endless grid of the parking lot as a drive-through amusement car park, with the use of fiction and the hybridisation of programme exposing a new type of autonomy.

 

Unit Staff

Didier Faustino

Kostas Grigoriadi

 

Thanks to 

Nuria Alvarez Lombardero

Charles Arsène- Henry

Benjamin Ball

Valentin Bontjes Van Beek

Roberto Bottazzi

Matteo Cainer

Barbara-Ann Campbell-Lange

Javier Castañón

Odile Decq

Ryan Dillon

Maria Fedorchenko

Kenneth Fraser

Francisco Gonzales de Canales 

Oscar González

Evan Greenberg

Eugene Han 

Karsten Huneck

David Illingworth

Tobias Klein

Tyen Masten

Pascal Mazoyer

Alfonso Medina 

Rene Peralta

Christopher Pierce

Pablo Ros

Theo Sarantoglou Lalis

Marilia Spanou

Theodore Spyropoulos

Brett Steele

Naiara Vegara

Carlos Villanueva Brandt

Andrew Yau

Nicos Yiatros

Kostas Zaverdinos

Peter Zellner

Grace Chan

The city of Mall Angeles, where living in the mall has finally become reality. Mall Angeles internalises and densifies spaces of different functions which are severely demarcated in Los Angeles into consumption space, to create a much more intense spatial experience than L.A. Better still, living in a city of augmented consumerism means that the excessive influx of commodities supports and enhances every activity desired. You can buy everything here; you can do everything here; you don’t ever have to leave this utopia. And who needs the city when Mall Angeles has it all; all spaces of work, sleep, shop, play? Everywhere Mall Angeles runs rampant across L.A. is like a leech sucking out the life from its surroundings as people move into the better city. Eventually, the context stops functioning and existing. L.A. is dead, the only place left to go is the Mall. Welcome to Mall Angeles.