The ‘Unknown Fields Division’ of Diploma 6 is a nomadic design studio that takes annual treks to the to explore peripheral landscapes, industrial ecologies and precarious wilderness. These landscapes – iconic, ignored, excavated, irradiated and pristine – are embedded in global systems that connect them in surprising and complicated ways to our everyday lives.
This year as the world of new-agers, mystics and psychonauts pilgrimage south, Unknown Fields journeyed with them to Central America to ponder the rise and fall of cities and civilisations, both ancient and modern, and to investigate the cultural and technological infrastructures that underpin them. These fallen empires leave infrastructural traces, evidence of their greatest dreams and fears. In this time of crisis, as the future again becomes a project and the Mayan long-count calendar starts anew, we have imagined what comes next.
As members of our Department of Irrational Logistics, Harry worked in the shadows of the megacity imagining the trail of a 3D-printed VW, from the raw material ports to the markets of inner-city Mexico, Stefan proposed an archipelago of season-free trade zones in landscape loopholes on the US-Mexican border, and Evan, as a consultant for Levis, suggested condensing the global supply chain of 501s into a single factory – the biggest building in human history. Tobias of our Finance and Speculations Division programmed an autonomous infrastructure of mobile server farms that drift along fibre optic cables and search for trading sites while Jack has rallied investors to fund a gold-plated residential tower that smuggles a social housing agenda into a skyline of wealth.
In our Laboratory for Instruments and Imagination, Artemis engineered a superstitious city of seismic instruments while Selim built a floating observatory to calibrate the edges of space. With our Simulated Botanies Group, Chapman subverted the cartel cocaine economy with a bioengineered coca seed, and Ling archived the DNA of an endangered Guatemalan rainforest in the digital landscapes of massive multiplayer games loaded on almost all the planet's machines.
Motion Designer Oliviu Lugojan-Ghenciu, Science Fiction Author Tim Maughan, Comic Illustrator Kristian Donaldson, Filmmaker Ilona Gaynor, Mexico Fixer Diego Trujillo, Photographer Carlos Alvarez Montero, Animator Jonathan Gales, Hacker Eleanor Saitta, the high-altitude research team at the Mexico Large Millimetre Telescope and the accommodating border guards at the Mexico, Guatemala and Belize border crossings.
In a desolate patch of the Chihuahuas desert there exists an eerie area of land called the Zone of Silence (La Zona Del Silencio). Conspiracies theories and local mythology talk of a site of dead air and mysterious sand where radio transmissions black out. In this landscape Christina Varvia of our Dead Media Laboratory has built a repository for our digital information, an archive of the internet, an institution that holds the entirety of the knowledge of our time. Civilizations have always looked for appropriate forms to store their collective history. Mayan temples embody the astronomical wisdom of the time, ceremonies, rituals, traditions and oral histories carry messages across generations, the vast halls of the Library of Alexandria and its modern equivalent the Google Books Project catalogue the sum of every written word. As knowledge becomes digital the Desert Digital Repository ebbs and flows to the time cycles of storage technologies and giant mechanical shredders delete redundant drives as a necessary act of remembering. The commercial server farms of the Cloud are reimagined as a vast cultural landscape.