Intermediate 13 has continued its research into the potency of the void. The unit agenda is centred on the idea that emptiness can be employed to release the civic qualities of the contemporary city, challenge power structures and stimulate new forms of inhabitation. This year we have adopted elements of the scientific method of hypothesis generation and developed the notion of the urban laboratory. All experiments have been located in the Isle of Dogs, which, with its mix of investment-banking towers and low-grade social housing, is now probably the most highly charged site in London. Here, students investigated the use of the void in art and architecture and developed projects that explore the uses of emptiness not just as a compositional and spatial device but also as a means of generating political, social and psychological effects.
Phenomena such as darkness, the abyss and air are tested for new social spaces in Frederique’s apartment towers clustered around darkness, Marianna’s proposition for buildings as archipelagos in future flooded London, and Naz’s investigation of architecture as air and breathing. The relationship between void, movement, afterimage and transcendence is tested with Mahsa’s elevated city common land consisting of meadows and allotments, Nabila’s green screen film city and Elisia’s Thames pier and tower. Alternative communities are explored through foundations of time, erasure and materiality in Richard’s Slow City encircling and challenging fast-paced Canary Wharf, while Felix envisions the inhabitation of partially demolished commercial towers and Masaki refills Millwall dock with soil to create an earth civic centre for Isle of Dogs. Current office typologies are challenged by new paradigms of commerce and work in Nicole’s civic super-shed constructed from repeated generic elements and Lorenz’s Core City that takes to the extreme the unexplored potential of the voids within standard office space.
Jeroen van Ameijde
Nuria Alvarez Lombardero
Brian Hwui Zhi Cheng
Francisco Gonzalez de Canales
Juan José Sarralde Tassara
Valli Van Zijl
Situating at the central Isle of Dogs, the Experimental Supershed is the one and only public space on the island that can be read as a negation to its highly privatized context.
The Void, as defined as a state of negation at the outset, is iterated through the phenomenology of repetition. More importantly, the project would like to even proceed further to its disappearance of the architecture – a structure created upon pure genericness for the individualism, it has become so generic that it is ignored by the eyes, elevating the entire experience to pure level of the individuality that flows within this generic system. All we notice any more are simply the events, people, liveliness, almost non-architecture.