Intermediate 2 began the year by studying systematic archaeological methods of surveying a site. We travelled to a Bronze Age site in Cornwall with two archaeologist-consultants, Guy Hunt and Stuart Eve of L-P Archaeology. We learned how to measure objects of irregular shape, how to guess distances and how to reconstruct a world from its fragments. We then applied this method to our London site – King’s Cross – and built a 2m2 wood/metal model that recorded aspects of its past, present and potential future.
The unit then focused on a more specific site in King’s Cross: The Calthorpe – a community centre and garden that requires renovation in order to become self-sustainable in a moment of financial crisis. We used our archaeological findings to search for alternative futures for the Calthorpe project, and the solutions we found were varied. Some took a historical stance and proposed to rebuild old structures and scenography; some sought an activist approach and suggested clandestine occupations for the site; some attempted a radically pragmatic position and devised ways of maximising the use of the land; some proposed imaginative landscapes that projected future archaeologies.
In each proposal is the awareness that the past, present and future exist in continuity; that the process of architecture is cumulative, conglomerate and additive – as is (or should be) the process of living; that the material world is impregnated with meaning; that architectural interventions can be subtle, yet heroic.
By being faithful to the guiding archae-ological principles, we employed a language that encodes materiality and events (past, present, future), which includes text, hand drawings, relief prints, animations, films, models, material samples and prototypes. We avoided visual simulations, whose freezing of time in a singular, ideal moment is so common in architecture today (ie, the building is new, the sun is shining, the users are happy). We opted instead for a language that embraces imprecision, errors, change, movement, chance and accident – in sum, an architectural language that communicates the irregularities of life.
Axel Bruchhäuser (TECTA, Germany)
Willem de Bruijn
Christian Drescher (TECTA, Germany)
Jack Harrison (The Calthorpe Project)
Annika Miller-Jones (The Calthorpe Project)
Ricardo de Ostos
Polly Turton (The Calthorpe Project)
Carlos Villanueva Brandt
"cuius est solum, eius est usque ad coelum et ad inferos"
- for whoever owns the soil, it is theirs all the way up to Heaven and down to Hell -
On the site of The Calthorpe Project, a community garden owned freehold by The Mayor and Burgesses of the London Borough of Camden and consigned to use class D1 by the authorities, exists a measured space - inaccessible, inoccupyable, yet wholly owned - an incorruptible hollow, bounded through bureaucracy yet unreachable by the Law.